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Borodino 1812


"The Great Redoubt" Issue #5

The Official Journal of Borodino 2002



Issue #5 Editor: Charley Elsden

EDITORIAL #5

With just a little word change to our masthead, THE GREAT REDOUBT hereby expands its coverage with this issue to both sides of the great Borodino battle to be fought in September 2002 at JodieCon! That's right, we will now continue to cover the good green Russian army and expound on the slimy, er, glorious French forces as well. To celebrate and highlight this change, we offer exclusive interviews with our own Napoleon Bonaparte (played by that stalwart gamer Norbert Brunhuber) and Russian Commander Kutuzov (impersonated by yours truly). We therefore invite all French as well as Russian players to send us any contributions you would like to share on the battle and campaign, Napoleonic history, culture, politics, military and militaria, Napoleonic wargaming, etc.

I had a chance to see Norbert last August up here in Brooklyn for the first big celebration/reenactment of The Battle of Brooklyn 1776, the largest engagement of the American Revolution, in beautiful Prospect Park (designed by Olmstead, the same guy who did Manhattan's Central Park). During a break in the action, as we spectators retreated down to The Old Stone House with the Continental Army--automobiles on cross streets were warned off by our pursuers with "Make way for the King's Troops!"--I conducted him and his family on a quick detour to Metropolitan Wargamers' new Park Slope clubhouse. Norbert and his party then ended their day with a dinner at that venerable Brooklyn institution Gage & Tollner's restaurant. Now there's a man who knows how to have a good time in the Borough of Kings County! Now, it's not like New York City is the center of the world. Heck, we all know that's not true. BROOKLYN is in fact the true center of the world!

So bienvenue, mes amis, to Norbert and his French gang, even though you are in fact all either seriously deluded or just plain evil. EVIL! You can look forward to totally even handed and impartial coverage here.

Charley

TGR Interview: His Imperial Majesty Napoleon Bonaparte, Emperor of France

(We were granted an interview with the Emperor Napoleon in his large headquarters tent, pitched somewhere on the road between Smolensk and Moscow. As we spoke, colorfully uniformed members of his "household" establishment went to and fro on the many errands required to direct his Grand Armee. Outside, a squad of bearskinned Imperial Guards went through a manual of arms which included the commands "Ready...Aim...Fire!" And they were actually practicing their marksmanship, not far away. His Majesty was generous with his time and refreshments, and we thank him for this intimate visit during his busy 1812 campaign. Note: the transcript of this interview has been approved by the Departmente des Documents, Ministere de L'Interieur Francais)

TGR: Do you feel you have been misunderstood by the rulers of other European nations?
NB: It is difficult to be an innovator; a political pioneer. Consider how every dusty European state continues to try and emulate the grandeur of the Roman Empire by aping its traditions, trappings, and foundations. Clearly they wish to see the glory of a united Europe again, but are too small-minded to understand how to make it happen. I am trying to enlighten them. Ultimately everyone will be happy again in another Golden Age.

TGR: To what degree do you support the principles of the French Revolution? Or do you wish to be seen as just another European Head of State?
NB: I take umbrage with your phrase "just another." Watch your manners and station in life, lowly town cryer! I support the French Revolution because it displays again the leading influence of France throughout the world. We understand fine food and wine. Our language is melodic and the standard of European communication. Fashion, cheese--must I go on? In the balance of things, the Revolution is part of the greater mystique of France.

TGR: Is it true that you proposed to marry the Czar's sister, but were not accepted?
NB: It is ugly when there are casualties during the fighting of the propaganda war. I suppose the Czar's sister represents something to the common Russian fief, and so her status has some significance. But really, I can come by my gains in far easier ways than to consent to marry the Grand Duchess Anna.

TGR: Your Majesty has been both an ally and an enemy of Russia during the many years of your reign. Why did you decide to invade Russia now, in 1812?
NB: This brings us back to your original question. It is time to bring a great glory to all of Europe by uniting it, providing it with decent laws and infrastructure, and raising its overall level of culture. The dusty monarchy in Russia, I have decided, will never be able to change its ways. I had hoped for an easier solution, but an invasion works as well. Perhaps better in the case of your typical, base Russian.

TGR: Are there any political conditions the Czar could meet in order to have you call off this expedition?
NB: No, I am afraid this has become a necessary evil. Nevertheless, I welcome the Czar's cooperation at any time. Certainly once we establish control and begin the incredible transformation of Russia into another glorious vassal of France, his place in history could be firmly shown in a positive light for all time thereafter. It's just a matter of accepting the inevitable and bearing up to the moment.

TGR: There are many Polish soldiers in your army. And your supply lines stretch back to the Polish territories now. Can the Polish people look forward to getting their own kingdom or republic, if you are successful?
NB: And why shouldn't they, I say, why shouldn't they indeed! France's graces extend to all oppressed peoples! How often has this rich and dignified country been repressed by its bullying neighbor? Doesn't this perfectly illustrate the necessity of my work, my vision? Please spread the word, throughout the European community, that they can all expect this help. Especially those pesky British.

TGR: So far, the Russian army has refused to stand and fight a decisive battle. Why do you suppose that is?
NB: I must lay that squarely on the shoulder of the Old Woman, Kutuzov. He is really doing a disservice to himself, the Czar, and Mother Russia. Look what he does to his own people and their fields. Dragging this war on delays the inevitable, and will only make things harder on his people. One wonders if he even cares about them. The Old Woman has forgotten the principles of war, and now merely plays at it--like some flabby middle-aged wargamer pushing around lead toys.

TGR: The Grand Armee of France has marched many miles into Russian territory so far. Your supply lines must be very long by now. What kind of shape is your army in, after this long journey to the east?
NB: Eager! Very clearly they are eager to please me and win this campaign for France! Some of the army wenches trailing the army are a bit worn, though. With every day further along, they are called on to do more and more to satisfy the men. I think their complaints are encouraging me more than anything else. (That is a joke, of course).

TGR: Certainly not even your enemies can deny your past greatness on the battlefield. What are the secrets of your military success?
NB: Interesting hats. While the Russian makes do with rough peasant caps of uninteresting shapes and colors, we have incredibly ornate headgear. We have colors tastefully transposed with one another, with amazingly intricate ornamentation and detail work. With this superb system, we accomplish two things. We increase the élan of our troops, because each regiment can boast its own importance, expressed by its hat. Second, we can have very good communication on the battlefield and specify, without confusion, what orders are meant for any particular regiment. I suspect that in the far future, many studies of military history will marvel and discuss often, and with great vigor, the details of our headgear; and those of our uniforms too, for that matter.

TGR: When will we finally have peace in Europe?
NB: We will have peace in Europe when Europe finally wants peace. I am here to provide it, just for the asking.

TGR: C'est bien,Votre Majeste, et Bon Chance!
NB: My pleasure. Now be gone from my sight--you reek like a barnyard animal. Insulting!

TGR Interview: General Prince Mikhail Golenshev-Kutusov, Commanding for His Imperial Majesty Alexander Czar of all the Russias

(We visited The Grand Old Man at his sumptuous headquarters, in a house located in a village somewhere east of the town of Borodino. After dismissing both bemedalled aides and a group of pretty young female admirers, he sat down to talk. We threw the tough questions at him--because YOU want to know!)

TGR: Once again, you have been called up to be the commander in time of crisis. Often during your career you seem to serve in some obscure post, almost in exile, and then you return. Why is this?
MK: It has always been this way in Russia. Look at the career of the great Suvarov himself! There are many noble factions, all of which have their own ideas of how to serve our nation. Our Little Father, Czar Alexander, brings us out like a stable of thoroughbred race horses, running different ones in different races, always trying to find the right formula for victory. And to share the great honor of commanding our brave and faithful troops, among his many loyal officers who are qualified for such an important position.

TGR: The last time you clashed with Napoleon, he defeated you badly at Austerlitz. What have you learned that will make the outcome different next time?
MK: On the Austerlitz battlefield, His Imperial Majesty The Czar chose to take personal command. His presence so dazzled our soldiers, that they sometimes had difficulty following the simplest commands! I blame it on the pressure of performing directly under the gaze of our sainted ruler. My good friend his grandmother, Empress Catherine, sometimes causes this same condition to occur. And so, this time around our Czar has chosen to support us instead by performing absolutely vital work on the political and diplomatic front back in Saint Petersburg, which is the natural sphere of so august an imperial and royal personage.

TGR: You have refused to engage Napoleon since he invaded Russia from the Polish territories. When are you going to stand and fight?
MK: Hah! Wouldn't you like to know? Napoleon would too, and he might read this. Let's just say I have my plans, and what you saw outside of town here is a part of them. Napoleon has his own plans, I'm sure.

TGR: Now that you mention it, when we passed through Borodino, we could see lots of (CENSORED) going on. The entire Moscow militia seemed to be carrying shovels! Is this where you plan to fight a battle?
MK: This is one of a number of places where, because of the terrain, we might fight an action in the future. The actual development of a major battle depends on many things. Timing. Concentration of forces. Critical intelligence about the enemy. Opportunity.

TGR: The (CENSORED) we saw are far away from this site. Aren't you a little far to the rear back here?
MK: People often misunderstand the role of the commander in such a large army. Most of my decisions are made before the battle begins. Once the shooting starts, it's pretty much a clockwork affair. However, I can best keep in touch with the many elements of my force from back here. In this way, I keep my hand on the pulse of the army, and can direct the critical movements which occur during the action itself, such as the final commitment of reserves.

TGR: Your main forces are composed of the First and Second Armies. There are rumors that their commanders don't get along. Can you make them work together?
MK: Young man, in this world many people don't like each other. With proud and capable nobles, there is much competition, especially in the military. But we all love the Motherland, and we all hate The Corsican Ogre. That should be enough.

TGR: Are you worried about what is about to happen?
MK: Here, let me fill up your glass, my friend. Have some of the Polish sausage too; its excellent today! By the end of the week, we may all be dead. But those French gentlemen will know they've been in a fight, eh? (Yawn). I think its time for a little nap. I...zzzzzzzzzzz!

TGR: Uh, General? (I tap him awake). Do you think you could introduce me to that redhead I saw earlier?
MK: Aha! Now you're starting to ask truly wise questions. As my Italian friend Londo used to say: "If your shoes are too tight to dance--take them off!" Drink up. Nastrovya!

Calgary Communique

JodieCon veteran Bruce Fiolek, that fighting Canadian, sent the following advice based on his experience with the computerized Carnage & Glory rules system used at JodieCon Austerlitz last year. As a follow up to our interview with C&G author Nigel Marsh in a past issue, here are three of Bruce's tactical tips:

1. Keep a screen of skirmishers out in front of your units whenever possible.
2. Try to site your artillery correctly. The first time.
3. As I remember, once a unit begins to become fatigued/worn, it quickly slides down the hill of effectiveness. Therefore, don't dally in the open; subordinates should have a plan when attacking. Move in quickly; do the job. When unfamiliar with a set of rules, many players tend to "drift" around the tabletop longer than they should.

Finally, I'll recommend to you Brucie's own personal method of unnerving his opponents, with which I've often been on the receiving end: Look them in the eye and warn in a mock friendly tone of voice: "Careful Charley--don't screw it up! Heh, heh."

RAMBLINGS IN THE TAVERN: ON JOYOUS SOUNDS OF OLDEN TIMES

Welcome once again to our virtual tavern, where the beer is always cold, and the women are always warm. I'd like to share with you this long, beautiful passage about the Eastern steppes:

"The year 1647 abounded with omens. Strange signs and portents of terrible disasters appeared on earth and in the skies. A plague of locusts spilled out of the Wild Lands in the Spring; a sure sign of Tartar incursions, possibly even a great war. In early Summer the sun disappeared under an eclipse. Soon afterwards a comet trailed fire through the sky. In Warsaw, people saw tombs and fiery crosses in the clouds, and so gave alms and fasted, reading in these signs a terrible calamity that would fall on the land and ravage all mankind. When Winter came it was so mild that the oldest people couldn't remember anything to match it. No ice gripped the rivers of the south; swollen with rain and melting snows they burst from their courses, and flooded the Steppe. Rain streamed down in torrents of silver. The open Steppes became one vast, quaking swamp; and in the Bratzlav Territory at the eastern boundary, and all across the unpopulated Wild Lands, the noon sun burned with such intense Summer brightness that a green blanket of new grasses sprung up in December. Beehives hummed in the border settlements and herds of cattle bellowed in the restless calls of Spring.

With all these signs and warnings, and with the natural order of the seasons so unnaturally reversed, all eyes in the eastern territories turned fearfully to the Wild Lands since peril of every kind could come from those untamed spaces quicker than from any other quarter. But nothing unusual seemed to be happening there in that extraordinary year. There were no battles, wars, raids, or killings other than those that were as common to that savage landscape as the immense seas of blowing, head-high grass where only eagles, hawks and vultures, and the fleeting gray wolves running in the night, could serve at witnesses and possible accusers.

Such were these Wild Lands: a continent of grass stamped with savage beauty. Billowing pastures where a mounted man could vanish like a diver in a lake. Violent chasms torn out of the earth, gaunt breastworks of crumbling clay and limestone that opened without warning under a horse's hooves. A wilderness of forest, fallen timber, sudden glittering lakes and rivers exploding into cataracts.

The last traces of human settlement ended at Tchehryn on the Dneiper River and in the Uman territory along the unpopulated borders. Beyond them lay the rolling emptiness of the Steppe that flowed like an uncharted, multicolored ocean all the way to the Black Sea, the Caspian and the Sea of Azov. Cossack life swarmed like turbulent wild bees in the distant Nijh and along the streams and pastures hidden in the coils of the Dneiper beyond the cataracts, but nothing human lived in the Wild Lands themselves. It was a land as vast as all of Western Europe, subject in name to the dominion of the Crown of Poland but, in effect, belonging only to those who lived by claw, fleet foot, and arrows shot out of ambush in the night. The Tartars grazed their horseherds there by treaty permission; and Cossack horsetheives turned these pastures into battlefields where the sounds of slaughter, the screams of dying men, the drumming of hooves galloping out of ambush, the clash of steel, and the hiss of the Tartar arrow and the whirling lariat seemed to hang forever on the wind, carried from unknown beginnings into an endless future like the Steppe itself.

No one knew how many battles were fought there in the years gone by, nor how many men left their bones scattered in the Steppe for the wolves and vultures. Armed travelers who heard the whirring of great wings, or saw the black swarms of carrion birds wheeling in the sky, knew at once that corpses or bleached bones lay somewhere ahead and looked to their weapons. Men hunted each other in this menacing green sea with no more feeling than they'd have in running down a hare; everyone there was both the hunter and the prey. This was the immemorial home of outlaws hiding from the law and the hangman's rope. Armed shepherds--as savage as their untamed flocks and herds--guarded lean sheep, fierce stallions and wild cattle. Bandits sought loot. Cossacks trailed Tartars and Tartars hunted Cossacks. It was common practice for entire
vatahas of light cavalry to guard the immense horseherds while raiding marauders came a thousand strong; and all of them, no matter whom they served, were men for whom words like gentleness and mercy had never held a meaning.

The Steppes were wholly desolate and unpeopled yet filled with living menace. Silent and still yet seething with hidden violence, peaceful in their immensity yet infinitely dangerous, these boundless spaces were a masterless, untamed country created for ruthless men who acknowledged no one as their overlord.

At times real wars would fill these territories, and then the sea of grass seemed to become a real ocean in which lesser tides of crimson Cossack caps flowed between horizons. The gray Tartar
tchambuls spread there in crescent waves, and the winged regiments of Polish horsemen rode in their leopard and wolfskin cloaks draped over glittering armor, and then a forest of spears and lances and horsetail standards and a blazing rainbow of many-colored banners rose above the Steppe. At night the neighing of the warriors' horses and the howl of wolves echoed in grim prophecy through this wilderness, and the booming of the kettledrums and the blare of copper horns and bugles flowed all the way to the misty Lakes of Ovidov and to the shores of the Turkish Sultan's seas. At such times the desolate Black Trail and the Kutchmansky Track became human rivers engulfing everything before them, and terror flew on birds' wings before this flood of animals and riders.

But that winter no birds came cawing to the southern lands with their raucous warnings. The immemorial routes of Tartar invasions were quiet and still. The Steppes crouched waiting, still as death in their shrouds of mist. And on this day, the day of a particularly breathless silence, the red light of late afternoon lit up a gaunt and skeletal land. Nothing moved on the tall banks of the Omelnitchek in the southernmost reaches of the darkening Steppe. The day was ending. The sun showed only the top half of its scarlet shield above the horizon and each passing moment sheathed the landscape in a deeper shadow.

On the high left bank of the river, gleaming in the reds and yellows of the sinking sun, lay the heaped and tumbled rubble of a walled
stannitza, one of those lonely outposts that guarded these borders. It was built years ago, perhaps as long as a generation earlier, but whole decades of raids, assaults and tidal waves of war had swept over it since then; the hot winds of the Steppe eroded the fortress into bleached timbers and crumbling white stone, rounding it out as smoothly as a burial mound; and now a long, symmetrical shadow fell from this height of land and sunk in the broad waters of the Omelnitchek which turned towards the Dniester River at this point.

The sun set rapidly, as if anxious to get out of sight. Light fled from the Steppe and seeped out of the sky where mournful flights of cranes were beating their way heavily to the sea. Night came, and with it came the Hour of the Spirits.

The soldiers of the Steppe
stannitzas told stories about murdered men who rose from their graves and stalked through the Wild Lands after the sun went down, and muttered prayers for lost souls when the tallow candles burned down in the guardhouse to show the midnight hour. They spoke of ghostly riders who'd block the path of travelers and beg for the sign of the cross that might give them rest, or of vampires and werewolves leaping from their lairs. It took an experienced ear to tell the difference between the ordinary baying of the wolves and the howl of vampires. Sometimes entire regiments of tormented souls were seen to drift across the moonlit Steppe so that sentries sounded the alarm and the garrisons stood to arms. But such ghostly armies were only seen before a great war. Lone shades were met more often. They brought no good fortune, to be sure, but they didn't necessarily forecast a disaster since living men, as secretive about their business as the restless spirits, were just as likely to appear and vanish in that spectral country as genuine apparitions."

That's the opening of WITH FIRE AND SWORD, by Henryk Sienkiewicz, written in 1884. Brrr! Hoo, kids--this is scary! Tolkeinesque, eh? These are the steppes that Napoleon's army entered for the 1812 campaign, little changed since that earlier era. Good luck, fellahs!

Being very low tech, I started buying my first CDs this year since my last turntable died. It was quite a challenge to create an expansion of my music in only about 50 disc's covering rock, jazz, blues, classical, soundtracks, comedy, etc. One thing I picked up which you might enjoy if you've had enough of the 1812 overture already, is a French offering called THE BEST OF RUSSIAN MUSIC ("Les Plus Belles Pages de la Musique Russe" in the Le Chant De Monde collection--'Songs of the World'). This double CD collection features such names as Tchaikovski, Rimski-Korsakov, Rachmaninov, Prokofiev, Khatchaturian, Borodine, Glinka, Chostakovitch, Moussorgski, Stravinsky, and others. Soothingly come also the low tones of Russian church music, grand and sad, from the themes of an older time. This music, as in touch with nature as our literary passage above, also helps to evoke the land on which the Borodino battle took place, and the emotions of those who defended it. Don't forget to make music part of your meditations on our great conflict, which we will both memorialize and celebrate in the months to come.

So dim the lights, turn up the music, and enjoy some quiet time for reflection. I'll see you next time here in the tavern.

Borodino'02

 
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